12/23/2023 0 Comments 80s hip hop fashion documentaryHe’s now a designer himself and said it best in the film: “The entire time I grew up it was like I only wanted money so I could be fresh.” Kanye West was a Lauren man from way back in Chicago. I remember a girl ironing the jeans for me and she was, like, ‘What the hell are these? What’s Vercayce?’ “ “I remember Luther Vandross had turned me on to Versace in 1990. Kane recalls his first taste of Versace, a pair of jeans. ‘Something new’įresh prompted riots over Jordan sneakers, shootings over Marmot jackets and mass lootings at the hands of boosting crews who rushed fancy Manhattan stores in search of Polo and other coveted brands. Or it could mean a Kangol hat, some Cazal shades, ultra-baggy pants or Adidas with fat laces that required stretching, starching and pressing to perfect the look. It touched young people in the gang-plagued Bronx who sewed patches, silver bangles and used cowhide stitching around the armholes of denim jackets after cutting off the sleeves, emulating the outlaw bikers in “Easy Rider.” It encompassed the spirit of graffiti that covered trains and walls in styles and hues borrowed to personalize jeans and denim jackets with a name down the side of a leg and original artwork on the back. It was also about your “Sunday best,” a term stemming in part from laws in some states that required slave owners to buy slaves at least one decent set of clothes fit for church. New York City was the heartbeat of hip-hop and the style movement that accompanied its rise in the early 1970s, including distinct looks defining each of the five boroughs: velour designer sweatsuits with matching sneakers in Harlem, or a pair of Clarks on feet in Brooklyn, for example.īut fresh symbolized more than that, Jenkins said. … You had to have the Le Tigre shirt, so you’re mixing and matching the preppy identity with the workwear and the athletic shoes,” he said. “When I was coming up, break dancing was big and you had to have a pair of Lee twill pants. “I had no idea all these things that myself and other kids in the neighborhood were doing would one day turn into this huge global industry,” the 43-year-old Jenkins said in a recent interview of his Queens upbringing. The film “Fresh Dressed,” out today in select cities and on video on demand, is the handiwork of director and journalist Sacha Jenkins, who traces the history and legacy of fresh through interviews, animation and archival footage. That’s the focus of a new documentary featuring Nas as producer, a host of designers and some of the biggest names in music. They stretch to “fresh,” that feeling when your style game is on point, just right straight out of the box. NEW YORK - From slave-era church outfits and Little Richard to the South Bronx and Dapper Dan the knockoff king of Harlem, the roots of hip-hop culture stretch beyond the music.
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